Does this sound like a good synopsis? This is my understanding. GaryW's gear list: GaryW's gear list. Sony E mm F3. Lightshow's gear list: Lightshow's gear list. F Forum M My threads. You may also like.
Sony stops production of all a7 II series and a cameras due to chip shortages. Sigma mm F2. Latest sample galleries. Canon EOS R3 sample gallery. Nikon Z9 production sample gallery.
See more galleries ». Latest in-depth reviews. Read more reviews ». Latest buying guides. Best cameras for landscape photography in Best drones in Best video cameras for photographers in Best cameras for Instagram in Check out more buying guides ». Leica M Nikon Nikkor Z mm F2. Nikon Z9 initial review.
Sony a7 IV initial review. Discover more challenges ». Leica M11 6. Popular interchangable lens cameras ». Popular compact cameras ». Shedding some light on the sources of noise. Mobile site. Reproduction in whole or part in any form or medium without specific written permission is prohibited.
Threaded view. Sony stops production of all a7 II series and a cameras due to chip shortages Nov 23, If you convert your photo to sRGB prior to posting to the internet, the problem should disappear. The advantage of the increased size of Adobe RGB is not as clear cut as it might first appear either. Even when it comes to printing, you may not be able to take advantage of the additional colors of Adobe RGB.
Some online printing labs assume you are uploading sRGB files for your prints. As a result of all these issues, I ended up with the following pros and cons list for each color space:. You will face the same question over Color Space in your post-processing.
In fact, if you are shooting in RAW and you should be , this will be where you actually assign the Color Space in the first place. When you take a RAW file, the camera captures all the colors it can and no color profile is assigned.
Instead, you do that in Photoshop or Lightroom. When you do so, a dialog box will pop up see below. Now when you save your files as JPEGs or whatever file format you choose, the color space you chose will be used. Lightroom works differently. You cannot change it. Instead, you choose the Color Space when you export your photos from Lightroom.
If you are familiar with Lightroom, you know that it does not actually modify your photos, but stores the changes elsewhere.
When it is time to bake your changes into the photo and create a JPEG or some other file type, you go through the export process. Just right-click and choose Export. When you do, a dialog box will appear with a lot of options see below. For most color-managed workflows, it is best to use a preset color setting that has been tested by Adobe.
Changing specific options is recommended only if you are knowledgeable about color management and very confident about the changes you make. After you customize options, you can save them as a preset. Saving color settings ensures that you can reuse them and share them with other users or applications. In Acrobat, you cannot save customized color settings.
To share customized color settings with Acrobat, you must create the file in InDesign, Illustrator, or Photoshop, and then save it in the default Settings folder. It will then be available in the Color Management category of the Preferences dialog box. You can also add settings manually to the default Settings folder. A working space is an intermediate color space used to define and edit color in Adobe applications.
Each color model has a working space profile associated with it. You can choose working space profiles in the Color Settings dialog box. A working space profile acts as the source profile for newly created documents that use the associated color model.
Working spaces also determine the appearance of colors in untagged documents. In most cases, the default policy is to preserve the embedded profile. In Acrobat, select the Color Management category of the Preferences dialog box. To view a description of any profile, select the profile and then position the pointer over the profile name. The description appears at the bottom of the dialog box.
Adobe RGB is also a good choice when working with images from professional-level digital cameras, because most of these cameras use Adobe RGB as their default color space. All CMYK working spaces are device-dependent, meaning that they are based on actual ink and paper combinations.
Gray Photoshop or Grayscale Acrobat Determines the grayscale color space of the application. Spot Photoshop Specifies the dot gain to use when displaying spot color channels and duotones.
In Acrobat, you can use the color space in an embedded output intent instead of a document color space for viewing and printing. For more information on output intents, see Acrobat Help. Adobe applications ship with a standard set of working space profiles that have been recommended and tested by Adobe for most color management workflows.
By default, only these profiles appear in the working space menus. In Photoshop, you can create custom working space profiles. However, Adobe recommends that you use a standard working space profile rather than create a custom profile. For more information, see the Photoshop support knowledgebase at www. For a newly created document, the color workflow usually operates seamlessly: Unless specified otherwise, the document uses the working space profile associated with its color mode for creating and editing colors.
However, some existing documents may not use the working space profile that you have specified, and some existing documents may not be color-managed. It is common to encounter the following exceptions to your color-managed workflow:. In either case, the application uses a color management policy to decide how to handle the color data in the document.
0コメント