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Blog at WordPress. Follow Following. It blends the most familiar elements of the two golden eras of album-oriented rock, finding a balance that is comfortable for mainstream fans of either side. It is, however, solid, American rock, reminiscent of a blend of Petty and Pearl Jam. For many observers it was still unexpected, because the sound seemed a little plain. They trade that sound for a varied, accomplished, smooth production on their second album, Mad Season.
They exploit this strength by expanding the production, adding horns and layers of keyboards to their sound, opening up the mix, and emphasizing their melodies. Prior to this album, Thomas had a tendency to oversell his songs, not just in the delivery but in the writing, and the band followed him along. Here, they tone down their performances and while the end result is heavily produced, the overall feel is more relaxed and welcoming than the debut.
Of course, it also helps that they have a solid set of songs — a set that eclipses their previous effort, even if there are a few dull moments here and there. Even with those occasional missteps, the end result is a strong, unabashedly mainstream record that finds the band coming into their own.
The best proof that Matchbox Twenty is not the Rob Thomas project? If this was simply the work of Thomas, this album would likely be more like their very fine second album, a savvy mainstream pop record that casually displayed his songwriting skills and was casually eclectic.
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